REVIEWS

“The book is written in straightforward and largely unemotional prose, but it reads as if conceived in quiet anger. Mayer believes that the Koch brothers and a small number of allied plutocrats have essentially hijacked American democracy, using their money not just to compete with their political adversaries, but to drown them out. . . . Dark Money emerges as an impressively reported and well-documented work. . . . The importance of Dark Money [flows] from its scope and perspective. . . . It is not easy to uncover the inner workings of an essentially secretive political establishment. Mayer has come as close to doing it as anyone is likely to come anytime soon. . . . She makes a formidable argument.” —From the cover of The New York Times Book Review

“Revelatory…persuasive, timely and necessary. . . . [O]nly the most thoroughly documented, compendious account could do justice to the Kochs’ bizarre and Byzantine family history and the scale and scope of their influence.” —The New York Times

[D]eeply researched and studded with detail. . .it seems destined to rattle the Koch executive offices in Wichita as other investigations have not. [Dark Money] could inspire a more intense discussion about the impact of this wealthy conservative cadre on the Republican Party and the recent course of American politics.” —Washington Post

“[B]ombshells explode in the pages of Dark Money, Jane Mayer’s indispensible new history . . . .combines her own research with the work of scores of other investigators, to describe how the Kochs and fellow billionaires like Richard Scaife have spent hundreds of millions to ‘move their political ideas from the fringe to the center of American political life.’”—The Guardian

“[Jane Mayer] is a great reporter. One of the best of our age.”—Rachel Maddow, The Rachel Maddow Show

“A careful exposé. . . . Mayer closely documents her charges. . .while delivering a swiftly flowing narrative. . . . A valuable contribution to the study of modern electoral politics in an age that Theodore White, and perhaps even Hunter S. Thompson, would not recognize.”—Kirkus